Sandro Botticelli's Oil Paintings
	Sandro Botticelli Museum c. 1445 – May 17, 1510. Italian painter.
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Here are all the paintings of Master of the Legend of St. Lucy 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
92884		De liefdadigheid van de H. Nicolaas als jongeman.	1486-1493 Medium oil on oak panel Dimensions 47 X 54.3 cm (18.5 X 21.4 in) cjr
85899		Lamentation	Date 1490s Medium Oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cjr
90050		Lamentation	1490s Medium oil on oak panel Dimensions Height: 81.2 cm (32 in). Width: 123.3 cm (48.5 in). cyf
92130		Legend of St Lucy	1480(1480) Medium oil on oak panel Dimensions Height: 79 cm (31.1 in). Width: 183 cm (72 in). cyf
92367		Mary, Queen of Heaven	Date c. 1485-1500 Medium oil on panel Dimensions 199.2 X 161.8 cm (78.4 X 63.7 in) TTD
86205		Scene from the St Lucy Legend	Date 1480(1480) Medium Oil on wood cjr
90321		Scene from the St Lucy Legend	1480(1480) Medium oil on panel cyf
87835		Scenes from the Life of St Ursula	second half of 15th century Medium Oil on wood cyf
90051		St Nicholas Altarpiece	between 1486(1486) and 1493(1493) Medium oil on oak panel Dimensions Height: 101.5 cm (40 in). Width: 81.5 cm (32.1 in). cyf
91119		St Veronica with the Sudarium	between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
90006		Virgin and Child with an Angel	between 1480(1480) and 1500(1500) Medium oil on oak panel cyf

Master of the Legend of St. Lucy

(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.

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